18th International Encaustic Conference

In a structured conference with slide talks and demos, sometimes you just want a nice easy session when you can talk about whatever interests you without committing to an entire hour of one topic. This will be an informal 90 minutes of questions, answers, and conversation—whether it’s about encaustic specifically or art in general, or whether you’re curious about changes in the gallery world over the past few years, how much to promote yourself, how to find a mentor, or you just want to sit back and listen in. No charts, graphs, slides. Just talk. I’ve done a lot in the past 50 years of making, showing, curating, and writing about art, and I’m happy to share what I’ve learned. But your questions will drive the hour.

What does it mean to make art in a time of turmoil? Can objects resonate beyond an artist’s private experience? Where and how can notions of the ecstatic be located in the studio and the work?  In light of social, political, and ecological change, tools are needed to envision art that can meet this moment, from intimate to global. If art is the expression of an individual experience of being in a body- and an act of empathy, can the studio become a space of transformation for artists and for the world? This talk/discussion will explore examples and strategies to strip away the unessential, and find ways to make work that is as urgent, honest, and close to the heart as possible.